本视频探讨人文学研究中的一次关键转向：
从以艺术作品为中心的研究，转向将图像视为“文本”的诠释路径。
以中国美术史为起点，重新思考学术问题的变化：
从形式与风格的描述，走向意义、语境与诠释的分析。
这一转向引出了“文图学”，并进一步发展为“AIGC文图学”，成为理解生成式人工智能时代人文学的重要方法论。
这并不是对美术史的取代，而是对其边界的扩展——连接视觉文化、诠释实践与跨学科思维。
This video explores a fundamental transformation in humanities research—from the study of art objects to the interpretation of images as “texts.”
Starting from Chinese art history, it examines how scholarly inquiry has shifted: from describing visual forms to analyzing meaning, context, and interpretation.
This shift leads to the emergence of Text and Image Studies, and further to Text and Image Studies on AIGC, a methodological framework for understanding the humanities in the age of generative AI.
Rather than replacing art history, this paradigm shift expands its scope—bridging visual culture, interpretation, and interdisciplinary thinking.
衣若芬《从中国艺术史到文图学》
I Lo-fen, From Chinese Art History to Text and Image Studies
https://papers.ssrn.com/sol3/papers.cfm?abstract_id=6441242
https://zenodo.org/records/19107490